Back in the home studio with lights. No need to look for interesting cracks in the pavement or unorthodox light sources, such as refrigerator or computer screen. This is an interesting setup, it does not follow any standard lighting schemes known to me, and it has no name that I know of, so I am calling it wrap-around lighting.
There is an LCD panel camera left at close to full power, but firing in front of the model and across the line of sight of the camera. The model is close to a white wall camera right. The barn doors on the light are configured so as to spill as much light as possible on the model, but none of it is direct; most of the direct light is blasting straight into the white wall, which serves as a giant reflector.
Result? The model is lit better on the left side, away from the light source. And fairly evenly across. There is no hot spot on the nose, lower lip or the cheeks. I am told the idea of artificial lighting is to make it look as close to natural as possible, and in this case, I would say, this goal is achieved. There is zero editing. This is literally straight out of the camera.
Shot at 105mm, 1/50s, f/5.6, ISO 640. If I was worried about the tip of the nose or the back of the ears being in focus, I would have to go to f/7.1 at least. ISO 640 is needed to compensate for almost entire light stream being reflected off barn doors and the wall. ISO 800 could have been good, too.